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Don’t forget to comment with your thoughts!
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Social media is playing an ever-bigger role in advertising of media products in general but it seems to be an integral part of the marketing strategy for television shows, much more so than for films (although, still important). Live tweeting seems to have become a must for people involved with most primetime shows, with the networks themselves including a hashtag in a corner of the screen to make sure everyone is using the same hashtag and thus increase the chances of the show trending and with it, increasing their promotional reach.
Okay. We mostly understand why actors/producers/show creators/etc have started using Twitter for promotional purposes but my question here is how is this changing television? Or, more specifically, how is it changing it for the better?
How is reading direct responses to the programming affecting its creators? Well, let’s be honest, it probably isn’t. Show runners are not likely to change their grand plan for their series just because some fans would prefer a different ending. And that’s not what storytelling is about anyway. But what I have noticed is little nods to fans in certain TV episodes. Say, they will call a character by a nickname created for them by the fans. Or, they will emphasise a character’s certain qualities that the fans themselves keep pointing out (without changing the actual story, that is). Sometimes they even indirectly answer fans’ frequently asked questions. In this way, fans are more enticed to continue not only watching the programming but also comment on it and share their thoughts with others. This is marketing at its finest and most sophisticated. And it is beautiful.
In terms of how this is changing television: It seems that it is increasingly more important for a show to have a dedicated fanbase than a large one. Of course, television networks are still very much concerned with numbers, as are advertisers. But nowadays, having fans of the show who constantly create online debates and discussions in relation to the show is a big asset. Take for example, BBC America’s Orphan Black. The show has created a lot of online buzz and even though many might not be actively watching it or even know the storyline, the debates around it are endless. Because of this, Orphan Black has now begun production for its third season, yet its ratings have never passed the 1 million mark for any of the episodes! With OB, it seems that people recognise it for its high quality and most importantly, continue writing about it and bringing others in on the discussion.
Shows like Orphan Black give me hope for the future of television. Although the number of viewers will always be the prime concern for some shows and some networks, this to me seems to be the first step in a more audience-controlled television, where quality (of the television programme) does indeed trump quantity (number of viewers). I believe social media will continue to play a big part in this.
Back in July Greenpeace released a video called LEGO: Everything is NOT awesome. If you haven’t seen it yet, watch it now:
Remember the Greenpeace campaign against Nestlé? It eventually forced the company to stop using products that come from rainforest destruction. Once again, Greenpeace have made a powerful video, which brought great success to their cause. The planning of their campaign is note-worthy, as they timed it so the video was uploaded to YouTube just after most people had already seen the Lego Movie, which was released a few months prior to the campaign and received mostly positive reviews. Lego is generally associated with happy childhood play times, which is why it provides such a good contrast to oil spills and the destruction of an aspect of the natural world. Additionally, the Greenpeace video is set to a melancholic version of Everything Is Awesome, the original Tegan and Sara song being well known to fans of the film.
The campaign, powered with the hashtag #SaveTheArctic received support from more than a million people worldwide, who urged Lego to stop collaborating with Shell. Today, Lego made an official announcement saying it has done just that – end the £70 million marketing contract with Shell. Success!
The video itself is Greenpeace’s most viral video ever and continues to gain traction even after three months. For more details on the success of this campaign, visit Greenpeace’s blog.
Whether you agree with Greenpeace and believe things can change for good one company at a time, or if you think Shell was the innocent victim in all of this (as some online comments suggest), one thing is certain: Crowdsourcing through social media should not be underestimated.
Facebook is developing a new app! It is expected to be released in the next few weeks but at this point in time details on the app (understandably so) remain unclear. It has been announced, however, that this app will, contrary to Facebook’s main page, allow for users to post anonymously. This coming from Zuckerberg is a surprise to many. The Facebook CEO once stated that to have multiple Internet personas is to lack integrity. Indeed, in an interview with the New York Times, Facebook’s Chief Product Officer described their social networking site as: “Differentiating the service from the rest of the internet where pseudonymity, anonymity, or often random names were the social norm”. Although in early Facebook days pseudonymity might have been rare, one look at Facebook today tells a different story. Search for profiles of any public personas or imaginary characters and the results are endless.
All in all, to me it seems that Facebook has made a step in the right direction by allowing for anonymity. As for what the app actually does, we shall see.
Although this app seems not to be ground-breaking at any level, it is sure to gain some popularity due to several Facebook tie-ins we are sure to get as part of the promotion of the app. In this way, this new app will now have a role similar to Twitter’s, only without the 140-word limit. The app will undoubtedly get its share of attention and curious users, if only for the powerful marketing we can expect from Zuckerberg’s side. Whether the app will prove to offer something new and better for its users and thus ensure its longevity is another issue.
Excerpts from pages 62 and 63 of The Circle:
Here, Mae and her bosses are talking about SeeChange, the Circle’s new project whose ultimate goal is to achieve total transparency. They have set up (and continue to do so) cameras in random places around the world. These cameras record in high quality and sustain most weather conditions. They are designed so as to blend in with the environment and thus remain unnoticed by most people. What this cameras record is everyday life in all corner of the worlds, the footage available as a live stream to anyone who wishes to see it.
This is their vision: If they manage to achieve total transparency and in this way close the Circle, all crime and wrongdoing would be minimized and people would live more honest lives, having every second recorded. “What about privacy,” you ask? Never heard of this concept before.
Going back to the real world of non-fiction now… In big cities such as London, CCTV cameras are almost everywhere, some of which are even available to view live. Sure, they’re there for our own protection but what will happen if someone who shares the Circle’s ideology gains possession of all this footage? Of course, transparency is far from something that’s solely being done to us. In fact, most people are willing participants. Social media platforms and the constant photo sharing (250 million photos are uploaded to Facebook every day) they entail is definitely a step in eliminating privacy.
The idea of complete transparency lies at the centre of The Circle but it is not the idea itself that sends chills through the reader. It is the question of whether we are not to an extent already transparent – or heading in that direction.